FZ album(s) in which song has appeared

• The Mothers 1971 (2022), quoted in King Kong, performed in London, UK, December 10, 1971
  • same version on You Can't Do That On Stage Anymore Vol. 3 (1989), as part of King Kong
• Joe's Domage (2004), quoted in The New Brown Clouds and Blessed Relief/The New Brown Clouds, recorded in 1972
• Waka/Wazoo (2022), as Big Swifty (Alternate Take), recorded at Paramount Recording Studios, Los Angeles, CA, April 10, 1972
• Waka/Wazoo (2022), as Big Swifty (Alternate Mix), recorded at Paramount Recording Studios, Los Angeles, CA, April 10, 1972 (mixed on April 22, 1972)
  • same version, different edit & mix, on Waka/Jawaka (1972), as first part of Big Swifty, with overdubs recorded April-May, 1972
• Waka/Jawaka (1972), as final part of Big Swifty, recorded at Paramount Recording Studios, Los Angeles, CA, April 10, 1972, with overdubs recorded April-May, 1972
• The Grand Wazoo (1972), quoted in The Grand Wazoo, recorded at Paramount Recording Studios, Los Angeles, CA, April 14, 1972
• Wazoo (2007), quoted in The Grand Wazoo (Think It Over), performed in Boston, MA, September 24, 1972
• Wazoo (2007), as Big Swifty, performed in Boston, MA, September 24, 1972
• Over-Nite Sensation 50th Anniversary Super Deluxe Edition (2023) as Big Swifty, performed in Los Angeles, CA, March 23, 1973
• Road Tapes, Venue #2 (2013), as Big Swifty, performed in Helsinki, Finland, August 23, 1973
• Halloween 73 (2019), as Big Swifty, recorded in Los Angeles, CA, October 21, 1973
• Halloween 73 (2019), as Big Swifty, performed in Chicago, IL, October 31, 1973, late show
  • same version on Halloween 73 Highlights (2019)
• Halloween 73 (2019), quoted in Penguin In Bondage, performed in Chicago, IL, October 31, 1973, late show
• The Roxy Performances (2018), as Big Swifty, performed in Los Angeles, CA, December 9, 1973, late show
  • same performance on You Can't Do That On Stage Anymore Vol. 1 (1988) as Big Swifty
  • same performance on Roxy—The Movie (2015) as Big Swifty
• The Roxy Performances (2018), as Big Swifty—In Rehearsal, performed in Los Angeles, CA, December 10, 1973, rehearsal
• You Can't Do That On Stage Anymore Vol. 2 (1988), as Big Swifty, performed in Helsinki, Finland, September 22-23, 1974
• One Shot Deal (2008), improvisations as Space Boogers, performed in Passaic, NJ, November 8, 1974
• Zappa/Erie (2022), quoted in Dupree's Paradise, performed in Erie, PA, November 12, 1974
• Studio Tan (1978), quoted in The Adventures Of Greggery Peccary, recorded at The Record Plant, Los Angeles, CA, January 3-14, 1975
  • same version, different edit, on Läther (1996) as The Adventures Of Greggery Peccary
• Ship Arriving Too Late To Save A Drowning Witch (1982), quoted in the guitar solo of I Come From Nowhere, recorded at UMRK, early 1982
• Guitar (1988), quoted in Hotel Atlanta Incidentals, performed in Atlanta, GA, November 25, 1984
• Does Humor Belong In Music? (1986), quoted in the guitar solo of Hot-Plate Heaven At The Green Hotel, performed in Vancouver, BC, Canada, December 18, 1984
• Broadway The Hard Way (CD, 1989), quoted in Outside Now, performed in Genoa, Italy, June 9, 1988
• Make A Jazz Noise Here (1991), as Big Swifty, performed in London, UK, April 18, 1988; Rotterdam, Netherlands, May 3, 1988; Munich, Germany, May 9, 1988; unknown date & location, 1988

 

Tour(s) on which song is known to have been performed (main source: FZShows, v. 7.1)

• September 1972 (Grand Wazoo)—known performances: 6
• February-May 1973 (MOI)—known performances: 4; known quotations: 1
• June-July 1973 (MOI Pacific Tour)—known performances: 4
• August-September 1973 (MOI European Tour)—known performances: 2; known quotations: 1
• October-December 1973 (MOI)—known performances: 8
• September-October 1974 (MOI European Tour)—known performances: 1
• October-December 1974 (MOI)—known performances: 3; known quotations: 2
• September-December 1975 (MOI)—known quotations: 2
• March-April 1982 (rehearsals)—known performances: 1
• July-September 1984 (North America)—known quotations: 4
• February-March 1988 (North America)—known performances: 6; known quotations: 3
• April-June 1988 (Europe)—known performances: 15; known quotations: 3

 

Comments

Foggy G, "The Songs That Were Played," We're Only In It For The Touring

1972: This is the "spiffed up a little bit" version. What we get here is the head of the tune, essentially as it appears on "Waka/Jawaka", with some additional woodwind and percussion parts (the "spiffing up"), followed by an extended solo section. Unlike the album version, however, we do not get the "Bitches Brew" type jam that graces "Waka/Jawaka". Instead, we get your standard rotating solo format, over a more hyper, upbeat vamp. We get several horn solos and a Frank guitar workout before returning to the closing theme, which is essentially performed as on the album, minus the ending improvisation.

1973: This mini-Monster is essentially performed as on "Waka/Jawaka". First we get the head, sounding beautiful with this band's particular instrumentation, followed by a series of solos. Marquez gets a chance to repeat his wonderful album performance, Fowler the bass player struts his stuff, and then Frank works his wonders as usual. Sadly, the song only appears a couple of times throughout the tour, with the 5/9 performance being particularly noteworthy. During his solo, Frank fiercely tears into "Eat That Question", which the band picks up and energetically plays. Once the song is firmly established, Frank is off soloing again, bringing his playing up another level from where he was at during "Big Swifty". An excellent segue, and one of the better moments of this tour.

1973-74: Essentially performed as on YCDTOSA Volume I, with the standard deviation coming in Duke's and Frank's solos. Apart from the improvisational solos, this version is also interesting for the random orchestrations that Frank would impose during the latter half of George's solos. As can be heard on the YCDTOSA release, Frank had a variety of hand gestures that corresponded to different musical themes and motifs, and he would liberally sprinkle these musical flourishes throughout George's solo. The abruptness of these intrusions, and the smoothness at which the band segued from these riffs back into the solo proper, has never failed to amaze this reporter. One of those fun, tiny little moments that make's Frank's music so unique..

1974: Played way too infrequently, and the song in its entirety (well, almost—including head and solos, but no return to theme) only known to be played twice (10/31 and 11/8). The Halloween performance of this song was quite a treat, with special guest Bruce "Call Me God" Fowler on trombone. For this performance, the main theme was rather jerky. It seemed underrehearsed and had no real flow to it. At one point, it even sounds like the theme is rewritten, but I think this is more due to the hesitancy and inaccuracy of the performance. Once the head is finished, Fowler takes off into full flight, and we are in improv heaven. Man can this guy blow! Frank follows him with a solo of his own—alternating between biting metal licks and more spacy trilling. Or, as Frank put it, with "just a twinge of psychadelicness... just a twinge". When Frank begins to run out of soloing ideas, he then keeps the energy high by tearing into "Apostrophe". Very sweet. The 11/8 performance runs more along the lines of your typical "Dupree's Paradise", with a parade of solos, some chaotic Zappa conducting, and the culminating guitar solo. A true Monster performance. The final known version of "Big Swifty" is the Helsinki take, which is just the closing theme. Nice, but a beast of a different nature.

1988: After an inexcusable 14 year absence, this instrumental giant returns, and becomes one of the great monsters of the tour. It is essentially performed as on MAJNH, with the standard deviation coming in the multitude of solos. Horn solos, percussion solos, Keneally solos, random madness, a single performance of "T'Mershi Duween", and the typically (but not always) concluding Frank solo, this song returns with a vengeance, bringing with it all this and more.

Structure

YCDTOSA3 (1971)	Joe's Domage (1972)		Waka/Jawaka (1972)	Wazoo (1972)	YCDTOSA1 (1973)	YCDTOSA2 (1974)	MAJNH (1988)
"King Kong"	"The New Brown Clouds"	"Blessed Relief/The New Brown Clouds"
7:38-7:50			00:00-00:16 theme #1.1	00:00-	0:00-		00:00-
7:50-8:00	1:00-1:08	2:16-2:24, 3:57-4:05	00:16-00:24 theme #1.2	00:20-	0:16-		00:15-
	1:08-1:22	2:24-2:59, 4:05-4:19	00:24-00:39 theme #1.3	00:30-	0:24-		00:23-
			00:39-00:53 theme #2.2	00:51-	0:39-		00:38-
			00:53-01:20 theme #2.2	01:05-	0:49-		00:51-
			01:20-13:19 solos	01:32- solos	1:12- solos		01:21- solos
					3:59- ?
					4:08- guitar solo
			13:19-13:41 theme #1.1 variant	10:06-	6:54-	0:00-	09:31-
			13:41-14:03 theme #1.2	10:28-	7:22-	0:21-	09:54-
			14:03-14:46 theme #1.4	10:50-	7:49-	0:43-	10:16-
			14:46-17:22 solos

 

Conceptual Continuity

• The Adventures Of Greggery Peccary