disc 1
1. "Here Comes The Gear, Lads"
Liner notes by FZ, 1992
As we depart for the first date of the tour, Dunbar's accused of sounding like one of the vices from the Beatles TV cartoon series.
Mark: "Hey, John Lennon here . . . "
- See notes on John Lennon.
Like to welcome you aboard United's flight 664 to Spokane.
Charles Ulrich, Frank Zappa Gig List: 1970, December 12, 2012
70/09/17, Spokane, WA, Coliseum, CONFIRMED
Charles Ulrich, August 29, 2005
I don't list any shows for the preceding 26 days. So it does indeed seem to have been "the first date of the tour," as stated in the notes for "Here Comes The Gear, Lads."
"Here Comes The Gear," Lads was recorded in the airport (presumably LAX) en route to Spokane.
Sources & Edits
| "Mark Volman Field Recordings" | David Walley Interview, August 1971 | Playground Psychotics (1992) |
|---|---|---|
| 2. Here Comes The Gear, Lads | 41. A Typical Day On The Road | 1.01. "Here Comes The Gear, Lads" |
| 0:00-0:00 | 0:25-0:26 | |
| 0:00-0:02 | 0:26-0:28 | 0:00-0:02 |
| 0:02-0:04 | 0:28-0:30 | |
| 0:04-0:11 | 0:30-0:37 | 0:02-0:08 |
| 0:11-0:15 | 0:37-0:41 | |
| 0:15-0:22 | 0:41-0:48 | 0:08-0:16 |
| 0:22-0:31 | 0:48-0:57 | |
| 0:31-0:45 | 0:57-1:10 | 0:16-0:29 |
| 0:45-0:46 | 1:10-1:11 | |
| 0:46-0:58 | 1:11-1:24 | 0:29-0:42 |
| 0:58-0:59 | 1:24-1:24 | |
| 0:59-1:00 | 1:24-1:25 | 0:42-0:42 |
| 1:00-1:08 | 1:25-1:33 | |
| 1:08-1:15 | 1:33-1:40 | 0:42-0:49 |
| 1:15-1:20 | 1:40-1:45 | |
| 1:20-1:23 | 0:49-0:52 | |
| 1:23-1:30 | ||
| 1:30-1:32 | 0:52-0:54 | |
| 3. The Living Garbage Truck | ||
| 0:00-0:05 | 0:54-0:59 | |
| 0:05-0:29 | ||
| 0:29-0:29 | 0:59-1:00 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
2. The Living Garbage Truck
Liner notes by FZ, 1992
When we arrive, an industrious Reprise Records promo man has arranged for us to have a group photo taken in a garbage truck parked on the airport tarmac.
Bruce Bisell: The FM chart that's put out here in Vancouver, has a distribution of about fifty thousand.
FZ, interviewed by Beetle, September 1971
I understand that Bruce Bissel met you at the airport in Vancouver with a garbage truck. Whose idea was that?
Warner Brothers. We arrived and there was Bruce with this garbage truck. He was ecstatic about the idea and said it would be a real gas if we were photographed beside it.
Oh, you mean you weren't happy with the idea?
Well, we would have actually preferred the more conventional limousine but after all, what could we do? Here was this promotion man who thinks that it's a great publicity stunt (after all, we'd never met him, and we didn't want to offend him or Warner Brothers) so we did it. It was more like what we were into in '67.
Charles Ulrich, Frank Zappa Gig List: 1970, December 12, 2012
70/09/19, Vancouver, BC, Canada, Coliseum, CONFIRMED
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 3. The Living Garbage Truck | 1.02. The Living Garbage Truck |
| 0:29-0:30 | 0:00-0:01 |
| 0:30-0:31 | |
| 0:31-1:03 | 0:01-0:33 |
| 0:33-0:34 | |
| 1:03-1:13 | 0:34-0:45 |
| 1:13-1:26 | |
| 1:26-2:01 | 0:45-1:20 |
| 2:01-2:03 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
3. A Typical Sound Check
Liner notes by FZ, 1992
Our wretched equipment was always falling apart, our monitor system was almost non-existant, and the P.A. was always distorted.
Ben, January 3, 2020
Hey i have a tracklisting for the 9 LP set of the history and collected improvisations of the mothers and just found out a typical soundcheck is from spokane washington
Volume 2 Side 5 1:42 Soundcheck in a spokane skating rink
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 4. A Typical Soundcheck | 1.03. A Typical Soundcheck |
| 0:00-0:14 | 0:00-0:14 |
| 0:14-0:34 | |
| 0:34-0:42 | 0:14-0:22 |
| 0:42-0:49 | |
| 0:49-0:55 | 0:22-0:28 |
| 0:28-0:37 | |
| 0:55-1:37 | 0:37-1:19 |
| 1:37-1:40 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
4. "This Is Neat"
Liner notes by FZ, 1992
We rented station wagons for ground transportation and various members took turns driving them.
The rooms are in Foon's name, eh?
- Dick Barber. See notes on "The Motel Lobby" and the chorus of Lumpy Gravy (1968).
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 5. "This Is Neat" | 1.04. "This Is Neat" |
| 0:00-0:10 | 0:00-0:10 |
| 0:10-0:11 | |
| 0:11-0:13 | 0:10-0:12 |
| 0:13-0:13 | |
| 0:13-0:25 | 0:12-0:23 |
| 0:25-0:32 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
5. The Motel Lobby
Liner notes by FZ, 1992
The main conversation here is between Dick Barber (a.k.a. "The Gnarler", a.k.a. "Foon", a.k.a. "The Pomona Polaris") our road manager, (eventually seen as the industrial vacuum cleaner in 200 Motels), and Howard Kaylan.
Mark: Hey, what is this, man? Is this the Can-Can Room?
Howard: This place waits for us, man
Mark: This place waits us! Is there a piano?
Howard: There's a juke box with a lotta hokie country songs on it. I am coming in here and getting blotto in about ten minutes
Mark: Oh, man, me too!
Charles Ulrich, August 29, 2005
If the Can-Can Room was really the name of the lounge in the motel in Spokane, then The Motel Lobby was recorded in Spokane too.
[...] Howard indicates his intention to get drunk in ten minutes. So I would guess that they got to Spokane a day before the concert. That would make the recording date September 16, 1970.
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 6. The Motel Lobby | 1.05. The Motel Lobby |
| 0:00-1:03 | 0:00-1:04 |
| 1:03-1:05 | |
| 1:05-1:20 | 1:04-1:21 |
| 1:21-1:21 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
6. Getting Stewed
Liner notes by FZ, 1992
Enjoying a refreshing beverage in a warm friendly atmosphere.
Howard: And we're sitting here in Spokane, Washington.
[...]
Mark: The Can-Can Room.
Charles Ulrich, Frank Zappa Gig List: 1970, December 12, 2012
70/09/17, Spokane, WA, Coliseum, CONFIRMED
Sources & Edits
| "Mark Volman Field Recordings" | David Walley Interview, August 1971 | Playground Psychotics (1992) |
|---|---|---|
| 7. Getting Stewed | 41. A Typical Day On The Road | 1.06. Getting Stewed |
| 0:00-0:05 | 0:00-0:05 | |
| 0:05-0:54 | 1:46-2:34 | 0:05-0:55 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
7. The Motel Room
Liner notes by FZ, 1992
Getting ready to go to work.
Charles Ulrich, January 31, 2019
What's playing in "The Motel Room" on Playground Psychotics is season 4, episode 2 [of Rowan & Martin's Laugh-In], which was broadcast on September 21, 1970. So, yes, it must have been recorded in Portland, Oregon.
Sources & Edits
| "Mark Volman Field Recordings" | David Walley Interview, August 1971 | Playground Psychotics (1992) |
|---|---|---|
| 8. The Motel Room | 41. A Typical Day On The Road | 1.07. The Motel Room |
| 0:00-0:04 | 2:34-2:39 | 0:00-0:04 |
| 0:04-0:05 | ||
| 0:04-0:09 | 2:39-2:44 | 0:05-0:10 |
| 0:09-0:28 | 0:10-0:29 | |
| 0:28-0:36 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
8. "Don't Take Me Down"
Liner notes by FZ, 1992
Arriving at the concert while the warm-up band is still on.
Charles Ulrich, August 29, 2005
There were two opening acts at the 9/17/70 Spokane show, Notary Sojac and Sleepy John. A member of Notary Sojac told me that it's not them on "Don't Take Me Down." So if this is from Spokane, it's presumably Sleepy John (from Lewiston, Idaho).
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 9. "Don't Take Me Down" | 1.08. "Don't Take Me Down" |
| 0:00-0:06 | 0:00-0:06 |
| 0:06-0:07 | |
| 0:07-0:09 | 0:06-0:08 |
| 0:09-0:10 | |
| 0:10-1:11 | 0:08-1:11 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
9. The Dressing Room
Liner notes by FZ, 1992
Wasting away until it's our turn.
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 10. The Dressing Room - Learning 'Penis Dimension' | 1.09. The Dressing Room |
| 0:00-0:21 | |
| 0:00-0:03 | 0:21-0:24 |
| 0:03-0:05 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
10. Learning "Penis Dimension"
Liner notes by FZ, 1992
Rehearsing the monologue to this controversial song's premiere.
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 10. The Dressing Room - Learning 'Penis Dimension' | 1.10. Learning "Penis Dimension" |
| 0:06-0:34 | 0:00-0:28 |
| 0:34-0:37 | |
| 0:37-0:51 | 0:28-0:43 |
| 0:51-0:59 | |
| 0:43-2:02 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
11. "You There, With The Hard On!"
Liner notes by FZ, 1992
Our special relationship with the audience.
Sources & Edits
| "Mark Volman Field Recordings" | David Walley Interview, August 1971 | Playground Psychotics (1992) |
|---|---|---|
| 1. "You There With The Hard On" | 39. You There With The Hard On | 1.11. "You There, With The Hard On!" |
| 0:00-0:24 | ||
| 0:24-0:47 | 0:07-0:29 | |
| 0:47-0:58 | 0:29-0:40 | 0:00-0:11 |
| 0:11-0:14 | ||
| 0:58-1:08 | 0:40-0:51 | 0:14-0:24 |
| 0:51-0:52 | 0:24-0:25 | |
| 0:52-0:54 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
- See also notes on "Zanti Serenade."
12. Zanti Serenade
Liner notes by FZ, 1992
This was the opening vamp for the ill-fated Rainbow Theatre show. One week earlier, all of our gear was destroyed in a fire at the Montreux Casino. We cancelled a week's worth of dates, went shopping for new gear, and were still trying to make it all work correctly as the show began. What purports to be some sort of avant-garde extravaganza was really just a sound check with the audience in attendance.
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.11. "You There, With The Hard On!" | 7.07. Zanti Serenade |
| 00:00-00:14 | |
| 0:00-0:25 | 00:14-00:40 |
| 1.12. Zanti Serenade | |
| 0:00-0:49 | 00:40-01:29 |
| 01:29-01:50 | |
| 0:47-1:18 | 01:50-02:21 |
| 02:21-02:53 | |
| 1:16-1:36 | 02:53-03:13 |
| 03:13-03:19 | |
| 1:34-2:40 | 03:19-04:24 |
| 04:24-12:38 |
13. Divan
Liner notes by FZ, 1992
This recording from the Pauley Pavilion is all that remains of a larger piece which included "Sofa" and other material.
Sources & Edits
| Los Angeles, CA, August 7, 1971 (audience tape) | Playground Psychotics (1992) |
|---|---|
| 13. Sofa Suite | 1.13. Divan |
| 00:00-10:55 | |
| 10:55-11:41 | 0:49-1:46 |
| 11:41-12:34 | |
| 12:34-13:23 | 0:00-0:49 |
| 13:23-13:40 |
14. Sleeping In A Jar
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.14. Sleeping In A Jar | 8.08. Sleeping In A Jar |
| 0:00-0:18 | |
| 0:00-1:30 | 0:18-1:48 |
| 1:48-2:24 |
15. "Don't Eat There"
Sources & Edits
Charles Ulrich, November 24, 2005
The background music at breakfast is "Moonlight Bay".
Charles Ulrich, March 22, 2012
Howard quotes Autumn Leaves at the end of Don't Eat There (2:21-2:26), with the last note extending into the first second of Brixton Still Life.
It's much easier to identify the quotation on the audience recording of 12/10/71 London.
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|---|
| 15. Don't Eat There | 1.15. "Don't Eat There" | 8.07. Pound For A Brown Part II |
| 0:00-1:36 | ||
| 0:00-0:07 | 1:36-1:43 | |
| 1:43-2:12 | ||
| 0:07-1:11 | 2:12-3:16 | |
| 0:00-0:00 | ||
| 1:18-1:48 | 0:54-1:25 | |
| 1:25-1:26 | ||
| 0:00-0:03 | 1:26-1:29 | |
| 0:03-0:05 | ||
| 0:05-0:38 | 1:29-2:03 | |
| 0:38-0:53 | ||
| 0:53-1:15 | 2:03-2:26 | |
| 1:15-1:18 | ||
| 3:16-3:45 | ||
| 2:18-2:26 | 3:45-3:52 |
- See notes on possible identifications for THACIOTMOI (9-LP version).
16. Brixton Still Life
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.16. Brixton Still Life | 8.07. Pound For A Brown Part II |
| 0:00-0:01 | 3:52-3:53 |
| 0:00-2:58 | 4:51-7:50 |
| 8.05. Pound For A Brown Part I | |
| 2:50-2:59 | 5:18-5:27 |
17. Super Grease
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.17. Super Grease | 8.06. Super Grease |
| 0:00-0:03 | 0:00-0:03 |
| 0:03-0:09 | |
| 0:03-0:13 | 0:09-0:19 |
| 0:19-0:36 | |
| 0:13-0:26 | 0:36-0:50 |
| 0:50-1:02 | |
| 0:25-1:05 | 1:02-1:42 |
| 1:42-1:53 | |
| 1:04-1:07 | 1:53-1:56 |
| 1:56-1:59 | |
| 1:07-1:12 | 1:59-2:04 |
| 2:04-2:06 | |
| 1:12-1:39 | 2:06-2:34 |
18. Wonderful Wino
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.18. Wonderful Wino | 8.06. Super Grease |
| 0:00-0:01 | 2:34-2:35 |
| 8.09. Wonderful Wino | |
| 0:00-4:52 | 0:00-4:50 |
19. Sharleena
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.19. Sharleena | 8.10. Sharleena |
| 0:00-3:29 | 0:00-3:28 |
| 3:28-3:44 | |
| 3:29-4:23 | 3:44-4:37 |
right here at the Rainbow Theatre where Melanie ripped it up last night
Charles Ulrich, January 7, 2009
Melanie [Safka] had played a sold-out concert at the Rainbow the previous night. Her "Brand New Key" reached #1 in the Billboard chart later that month.
20. Cruisin' For Burgers
Sources & Edits
| Playground Psychotics (1992) | The Mothers 1971 (2022) |
|---|---|
| 1.20. Cruisin' For Burgers | 8.11. Cruising For Burgers |
| 0:00-2:53 | 0:00-2:52 |
| 2:52-3:39 |
21. Diptheria Blues
Liner notes by FZ, 1992
From a Florida dressing room. While Dunbar keeps time on a bottle of Scotch whisky and a wooden table, Howard relates the tale of the San Antonio diptheria epidemic which we had just escaped.
Play the harmonica, boy.
- See also "Trouble Every Day" on Freak Out! (1966), "Prelude To The Afternoon Of A Sexually Aroused Gas Mask" on Weasels Ripped My Flesh (1970), "In France" on Them Or Us (1984), "Harmonica Fun" on Mystery Disc (1986), "Downtown Talent Scout" on You Can't Do That On Stage Anymore Vol. 5 (1992), and "The Torture Never Stops" on FZ:OZ (2002).
Oh, diphtheria got me down
Oh, San Antonio epidemic now
Charles Ulrich, Frank Zappa Gig List: 1970, December 12, 2012
70/10/09, Tallahassee, FL, Tully Gymnasium, Florida State University, CONFIRMED
Sources & Edits
| "Mark Volman Field Recordings" | Playground Psychotics (1992) |
|---|---|
| 11. Diptheria Blues | 1.21. Diptheria Blues |
| 0:00-2:31 | |
| 0:06-0:17 | 2:31-2:42 |
| 0:17-0:39 | |
| 0:39-0:56 | 2:42-3:00 |
| 0:56-0:57 | |
| 3:00-4:11 | |
| 0:57-1:40 | 4:11-4:55 |
| 4:55-4:59 | |
| 0:00-0:06 | 4:59-5:05 |
| 5:05-5:07 | |
| 1:40-2:08 | 5:07-5:36 |
| 2:08-2:18 | |
| 2:18-2:19 | 5:36-5:37 |
| 2:19-2:20 | |
| 2:20-2:21 | 5:37-5:37 |
| 5:37-6:19 (Fillmore East, June 6, 1971, late show) |
- See notes on possible identifications for THACIOTMOI (9-LP version).
22. Well
Liner notes by FZ, 1992
Some of you might have heard another version of this on the John & Yoko album "SOME TIME IN NEW YORK CITY." When they sat in with us that night, we were in the process of recording the LIVE AT THE FILLMORE EAST, JUNE 1971 album, and all of this insanity was captured on tape. After the show John and I agreed we would each put out our own version of the performance, and I gave him a copy of the 16 track master tape. Here is our version—a substantially different mix from what they released.
Sources & Edits
| Some Time In New York City (John & Yoko, 1972) | Playground Psychotics (1992) | Fillmore East—June 1971—50th Anniversary Expanded Version (3 LPs, 2022)—[timing approximate] | The Mothers 1971 (2022) |
|---|---|---|---|
| June 6, 1971, late show | |||
| 2.03. Well (Baby Please Don't Go) | 1.21. Diptheria Blues | 3.01. Well | 6.01. Well |
| 0:00-0:04 | |||
| 0:00-0:16 | 0:04-0:21 | ||
| 4:10-4:31 | 0:21-0:42 | ||
| 0:42-1:25 | |||
| 5:37-6:07 | 0:01-0:31 | 1:25-1:54 | |
| 0:31-0:31 | 1:54-1:55 | ||
| 0:16-0:17 | 0:31-0:32 | 1:55-1:56 | |
| 0:17-0:20 | 6:07-6:09 | 0:32-0:35 | 1:56-1:59 |
| 0:20-0:33 | 1:59-2:12 | ||
| 0:33-0:42 | 6:09-6:19 | 0:35-0:45 | 2:12-2:21 |
| 1.22. Well | |||
| 0:42-4:21 | 0:00-3:40 | 0:45-4:25 | 2:21-6:00 |
| 3:40-4:04 | 4:25-4:49 | 6:00-6:24 | |
| 6:24-7:43 | |||
| 4:04-4:43 | 4:49-5:28 | 7:43-8:21 | |
| 8:21-9:02 |
FZ, Dr. Demento Radio Show, KMET CA, December 24, 1973
I don't know where [John Lennon] got it from—it was pointed out to me some time later that it was originally recorded by The Olympics on the Demon label.
davmar77, Zappateers, February 24, 2012
this is really from the june 6, 1971 late show. i went the night before to the late show and still have my stub.
FZ, interviewed by Steve Rosen, Record Review, June 1982
We were working at the Fillmore East and they came in and sat in with us and it just happened to be the same night we recorded the Live at the Fillmore album. So the whole event got on tape. And a deal was made in the dressing room afterwards where they said they wanted to be able to release the tapes and I said I wanted to be able to release the tapes and we mutually released each other. In other words I'll give you a copy of the tapes and you can do what you want with them and I'll do what I want with them. I've never released it but what they did with it was really the pits. They turned off some of the words that Howard (Kaylan) and Mark (Volman) were singing in a song called "Scum Bag" and they left some of the best stuff out of it. And what they did was they took a song called "King Kong" that we were playing and retitled it "Jam Rag" and claimed the publishing on it. So I'm not too thrilled about the results of that particular collaboration and one of these days I'm going to mix the stuff from that particular performance so you can hear everything that went on. Because Mark and Howard were talking about "sticking Yoko in a scumbag." I never had any further conversation with them because at that point it was one of those things where you'd have to go to a lawyer. I think there were some questions asked by Capitol Records as to why that had been done but in order to straighten it out, you'd have to go in with an accountant and see the sales of that particular album and start a lawsuit over the fact that they took the publishing and this and that. I Just thought it was a real cheap shot thing to do.
FZ, Picture Disk Interview #2, 1984
The day before the show, a journalist in New York City woke me up—knocked on the door and is standing there with a tape recorder and goes, "Frank, I'd like to introduce you to John Lennon," you know, waiting for me to gasp and fall on the floor and I said, "Well, Ok. Come on in." And we sat around and talked, and I think the first thing he said to me was, "You're not as ugly as I thought you would be." So anyway, I thought he had a pretty good sense of humor so I invited him to come down and jam with us at the Fillmore East.
We had already booked in a recording truck because we were making the "Live at the Fillmore" album at the time. After they had sat in with us, an arrangement was made that we would both have access to the tapes. He wanted to release it with his mix and I had the right to release it with my mix—so that's how that one section came about.
The bad part is, there's a song that I wrote called "King Kong" which we played that night, and I don't know whether it was Yoko's idea or John's idea but they changed the name of the song to "Jam Rag," gave themselves writing and publishing credit on it, stuck it on an album and never paid me. It was obviously not a jam session song—its got a melody, its got a bass line, it's obviously an organized song—little bit disappointing. I've never released my version of the mixes of that night.
"Hello Goodbye: Guest Of The Month—Frank Zappa," Stereo, April 1976 [English translation by Tan Mitsugu]
Q: You look much better than your photograph.
Zappa: John Lennon said the same thing.
Rubens Nogueira, Facebook, November 17, 2021
John Lennon & Yoko Ono at the Fillmore East before joining Frank Zappa onstage (1971).
Anybody who comes to the Fillmore East can sing the song.
- See notes on the Fillmore East.
23. Say Please
Sources & Edits
| Some Time In New York City (John & Yoko, 1972) | Playground Psychotics (1992) | Fillmore East—June 1971—50th Anniversary Expanded Version (3 LPs, 2022)—[timing approximate] | The Mothers 1971 (2022) |
|---|---|---|---|
| June 6, 1971, late show | |||
| 2.03. Well (Baby Please Don't Go) | 1.23. Say Please | 3.02. Say Please | 6.02. Say Please |
| 0:00-0:04 | |||
| 4:31-4:41 | 0:04-0:13 | ||
| 2.04. Jamrag | |||
| 0:00-0:17 | 0:13-0:31 | ||
| 0:17-0:25 | 0:00-0:07 | 0:00-0:07 | 0:31-0:39 |
| 0:25-0:27 | 0:07-0:09 | 0:39-0:41 | |
| 0:27-1:17 | 0:07-0:57 | 0:09-0:59 | 0:41-1:30 |
| 6.03. King Kong | |||
| 1:17-2:26 | 0:00-1:08 |
24. Aaawk
Sources & Edits
| Some Time In New York City (John & Yoko, 1972) | Playground Psychotics (1992) | Fillmore East—June 1971—50th Anniversary Expanded Version (3 LPs, 2022)—[timing approximate] | The Mothers 1971 (2022) |
|---|---|---|---|
| June 6, 1971, late show | |||
| 2.04. Jamrag | 1.24. Aaawk | 3.03. Aaawk | 6.04. Aaawk |
| 2:26-2:49 | 0:00-0:23 | 0:00-0:23 | 0:00-0:23 |
| 2:49-3:00 | 0:23-0:34 | ||
| 3:00-5:36 | 0:23-2:59 | 0:23-2:59 | 0:34-3:10 |
25. Scum Bag
Sources & Edits
| Some Time In New York City (John & Yoko, 1972) | Playground Psychotics (1992) | Fillmore East—June 1971—50th Anniversary Expanded Version (3 LPs, 2022)—[timing approximate] | The Mothers 1971 (2022) |
|---|---|---|---|
| June 6, 1971, late show | |||
| 2.05. Scumbag | 1.25. Scum Bag | 3.04. Scumbag | 6.05. Scumbag |
| 0:00-4:27 | 0:00-4:28 | 0:00-4:29 | 0:00-4:27 |
| 2.06. Aü | |||
| 0:00-1:25 | 4:28-5:53 | 4:29-5:55 | 4:27-5:52 |
26. A Small Eternity With Yoko Ono
Sources & Edits
| Some Time In New York City (John & Yoko, 1972) | Playground Psychotics (1992) | Fillmore East—June 1971—50th Anniversary Expanded Version (3 LPs, 2022)—[timing approximate] | The Mothers 1971 (2022) |
|---|---|---|---|
| June 6, 1971, late show | |||
| 2.06. Aü | 1.26. A Small Eternity With Yoiko Ono | 3.05. A Small Eternity With Yoko Ono0 | 6.06. A Small Eternity With Yoko Ono |
| 1:25-7:31 | 0:00-6:07 | 0:00-6:13 | 0:00-6:06 |
| 7:31-7:52 | 6:06-6:27 | ||
| 7:52-8:04 |